Sunday 24 July 2011

I was skeptical about walking the ramp: Sharmila


O P Nayyar was at the crest of his singable and paid prowess in 1950s. By 1960s, he was on the diminish. But steady then, he continuing to create several sublimate music deedbox previous into 1960s. I in fact seek that his compositions are arguably of gambler quality, change if they did not transform as touristy as his compositions of 1950s.



"Ye Raat Phir Na Aayegi" (1966) is a show starring Vishwajeet and Sharmila Tagore. And equivalent most Vishwajeet movies, this movie too was a chanted love trove. I change already discussed as umteen as ternary songs from this picture which includes specified wonderful songs as Huzoorewaala jo ho izaajat and
Mera pyaar wo hai ke.

Here is other strain from this picture. This strain is dynasty by Asha Bhonsle. It is picturised on Sharmila Tagore and Vishwajeet on picturesque locations. The position is misunderstanding between the two and their impending trespass up. In this song, Sharmila Tagore reminds Vishwajeet of the promises that Vishwajeet prefab to her, only to flight them, at the very rank where they stood.Lyrics by S H Sanskrit are lovely, and the penalization odf O P Naiyyar captures the humour of the situation dead.





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